The NIGHTMARE of White Skull Sunglasses Fine Art Photography

The NIGHTMARE of White Skull Sunglasses

Creation Date: 17 November 2019.

Series: ETHEREAL DREAMS & NIGHTMARES (2011 – PRESENT).

Smoke-Art Photography
Copyright 2019 Nawfal Johnson
All Rights Reserved.
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Artist’s Note:
At near center, there is a White Skull, wearing White Sunglasses, and he is surrounded by his nightmares. This art photograph is completely designed with my Smoke-Art Photography.
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☆ You can buy Fine Art Photography Prints and Gallery Canvas of this Artwork at my Sales Gallery at Imagekind:

https://www.imagekind.com/The-NIGHTMARE-of-White-Skull-Sunglasses_art?imid=0a51db21-87a0-4505-b237-57ec9b4614fd

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Tags:
#abstract, #DÉCOR, #ETHEREAL, #fineart, #irregular, #NawfalJohnsonNur, #NEBRASKA, #Smoke, #ETHEREAL, #cloudy, #dreams, #expressionism”, #Hope, #Interiors”, #Johnson, #modernism, #photography, #shapes, #chaos, #order, #Rorschach, #nightmares, #skull,

TRAPPED



“Trapped” (© 2010)
A Collaborative Work

Nawfal Nur (Original Eye Photo)
Brittney Hamilton (Dark Artwork on this Photo)
http://luckywolf-13.deviantart.com/

Being Trapped
© Nawfal Nur (12 Feb 2010)

The sound of a heartbeat bounces off four walls,
and silently falls to the ground.
An ear hears no words,
but the torturous ringing of empty-blackness.
The eye sees nothing but a faint distant light, taunting,
but there’s no way out.
A mind void of senses goes slowly mad,
and thoughts bleed from the body and disappear into the growing-blackness.
Being Trapped
. “

Well, not the cheeriest of poems I’ve ever written, but fitting…it must fit the subject of the photograph. 

Is my poetry any good?  What a question to ask yourself.  I don’t know if these lines fit any formula of poetry, and I don’t really want to occupy my mind with formulas.

When I ‘visualize’ what “Trapped ” is, these are the thoughts, the visual words I see in my mind’s eye.

I want to thank Brittney for finding my Iritis Eyeball photograph at my blog.  She contacted me and asked if she could do one of her “Dark Art” pieces using my eyeball photograph.  After some emailing, it was agreed upon and she applied her skills, her genre (Dark Art) to my photograph, and the “Trapped” photograph (above) is the result.

I do appreciate that Brittney wrote to me to ask permission to do this collaborative work.  I commend her on that.  The results of this ended up well.

It is a sad note that both of us have had people use our images/artwork without asking permission.  It is difficult to tell if these ‘violators of copyright images‘ know that they are not supposed to use images made by other people.  However, if you see a © symbol, then the work is clearly unusable to anyone but the artist/photographer/author of the work.

However, if an image is in the public domain, or an image has an ‘open’ copyright that allows its use for specific purposes without asking permission, then that’s a different story.  This sort of usage freedom is what the Creative Commons copyright notice is for – to allow some freedom of usage of intellectual works.  BUT, THESE WORKS ARE ALSO CLEARLY MARKED WITH SPECIFIC COPYRIGHT SYMBOLS:

  • Attribution (CC-BY)
  • Attribution Share Alike (CC-BY-SA)
  • Attribution No Derivatives (CC-BY-ND)
  • Attribution Non-Commercial (CC-BY-NC)
  • Attribution Non-Commercial Share Alike (CC-BY-NC-SA)
  • Attribution Non-Commercial No Derivatives (CC-BY-NC-ND)

Go Here to find out more about the CC!However, often times, we artists/we photographers find our work being used without our permission, even though it is copy written, and has the usual © symbol attached to it:  That is not right – it is a violation of our intellectual property and our copyright.

  • So, what can you do, what should you do, what realistically can be done?

Pursuing such violations under whatever means available is often fruitless.  I don’t want to sound negative about this, but you must look at the economics of your work and its true market value.

If your original work isn’t valued beyond belief (i.e., Thousands of Dollars), then the legal costs of pursuing copyright violations would be enormous to the point of business breaking for most photographers.

This is not to say don’t pursue violations of your copyright, but in this day-and-age of royalty-free images going for a few cents per download, and a worldwide economy that has taken a major hit, a photographer would have to weigh the common sense and economics of pursuing copyright violations against them.  The easy to get MULTITUDES of digital images off the Internet has devalued the work of everyone out there who depends on sales for their living.

If it makes economic sense in your world, then have at it – go for the legal course of action.

If it is not feasible for you to take legal action, then try to reason with violators.  Perhaps they will remove illegal work if you send them an email notice.  If that doesn’t work, then perhaps a lawyer’s letter will have more bite to it.

To me, this is another form of “Being Trapped” – when there isn’t much you can do about something, even though you wish you could, and you know you are in the right!

You may be trapped between wanting to take some action to correct a wrong and set it right; and, not being able to take action because it would not be economically feasible.

After all, where will you end up if you choose poorly.  You could end up spending (or owing) several 10’s of thousand’s of dollars in legal fees (and how much time wasted) to save your photograph that may only have a shelf life worth $100.00 (maybe more, but probably less if the work was meant for a royalty-free micro-stock site)?

Enough joy about photography copyright violations.

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Again…

Please have a look at Brittney’s other work – she is talented.  Just click on her link under her name (above).

“The Last Tree”

“The Last Tree, v.2″

 

Title: “The Last Tree, v.2”
Creation Year: Original – 2004
Version 2 – 2007
© 2007 Nawfal Nur
All Rights Reserved

 

The Last Tree, v.2” is an image from the “DARK”, and the “Sci-Fi Landscapes” Series. This image enters the realm of both collections for different reasons.

It is in the “DARK” Series because, God-Forbid the day, if it ever comes, where a world is left with a single, sick-looking tree, stuck in the middle of who knows where, with its roots clinging to a rocks surface, as if holding on for dear life.

It crosses into the “Sci-Fi Landscapes” collection because the environment is “alien”.

A blackened sun sits in open Space while captivating and poisonous air fills the environment. What chance of survival does this last specimen have?

Obviously, the caretakers of this planet have abandoned this place. With it, any remaining life has been left to fend for itself. The fate of this last tree is unknown.

However, take a look around…what chance do you think it has? Truly, the beings of this planet allowed their selfishness and greed to control them, and in the process, their environment suffered – environmental sustainability was an unknown or neglected concept.

What you wouldn’t know from just looking at this photograph, is that the rock that this last trees sits atop, is actually a small mountain that used to stand over 7,000 feet above sea level.

What you do see here is the result of a planet that was covered largely with deep, mountainous ice structures, disastrous climate changes, and environmental destruction at its worst.

Here stands The Last Tree.

Behind the Lens…

Hi All! This is a “sub-set” of my “Behind the Lens” blogs. To see my main Photo-Blog, please click here: http://finegrain.wordpress.com/ .

The main difference between this “Behind the Lens” (under NawfalNur), and the one using my finegrain moniker, is that this one will concentrate more on my Fine Art work, such as my “Dark” Series, the “Sci-Fi Landscapes” Collection, and other individual works.

Please visit both if you get a chance.  Thanks!